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中新网🙂重庆5月12日电 (肖江川)11日，2025登瀛杯·大学生围棋邀请赛在重庆移通学院綦江校区落下帷幕。经过激烈角逐，北京大学棋手崔丰逸斩获公开组冠军。

本次赛事吸引了北京大学、哈尔滨工业大学、国防科技🌞大学👚、四川大学等136所高校参与，报名人数达348人。比赛前🤒期，348名选手通过线上平台展开对决，争夺100张线下赛入场券。

据了解，晋级🏭到线下赛的选手中，业余6段以上超过20人，还有几位🚙是职业棋手，竞争非常激烈。经过两天的角逐，最终来自©👿北京大😰学的崔丰逸夺得公开组冠军，来自四川大学的周乐萱夺得女子组冠军，上海大学获得团体总分第一名。

“这是我第二次参加❤这项赛事，很高兴🈹获得了女子组冠军。”周乐萱从小学习围棋，目前🔯是业余6段，她的梦想是参加职业比赛。

“今年的参赛人数比去年多很多，选手水平很高，我们中国围棋协会非常支持这项赛事。其实围棋的发展，不仅仅是靠专业棋手出成绩，更多的是要走进学校，特别是走进大学。”世界围棋“八冠王”、中国围棋协会副0主席古力为比赛助阵，他希望通过登瀛杯·大学生围棋🎓🥧邀请赛，普及围棋文🧫化，丰🕎富大学生生活，培养更多的大学生围棋人才。

“棋类运动对开发学生的识记能力、思考能力和计算能力具有无可替代的作用。围棋🧕不仅可以锻炼学生的意志力和定力，还能促进学生的挫折教育。”古力表示，目前在重庆，围棋进校园活动正在蓬勃开展，许多学校已经将围棋纳入课🧰程体系。

作为赛事主办方，重庆移通学院希望以登瀛杯·大学生围棋邀请赛为🏢实践载体，将围棋深度融入现代教🌽育体系，开创一条“以棋启智、以棋育德、以棋促创”的特色育人路径。(完)

• 　　近年来，在移民潮影响下，德国新生儿数量增多，对儿童日托机构的需求也在逐年上涨。莱比锡大学儿童早教专家苏珊娜·费尔尼科表示，德国儿童日托机构的容纳量远不能满足需求，缺口高达30万个席位。此外，90%的机构抱怨人员长期短缺，主要原因是薪资没有吸引力，专业人员逐年减少，极大限制了日托机构“扩容”。根据贝塔斯曼基金会的调查，托儿所育儿员平均每人要照看4个孩子，幼儿园幼师平均每人要照看9名儿童。
• 　　据介绍，硕士研究生报名人数中，应届本科毕业生占62．3％。专业学位硕士研究生报名中，工商管理硕士人数居第一位；学术型研究生报名中，金融专业人数居第一位。
• it was the year politics took over our closets, and clothes went beyond products to become positions. from the moment in early february when beyoncé strode onto the field at the levi’s stadium in santa clara, calif. for the super bowl 50 halftime show followed by an army of backup dancers in outfits that paid homage to the black panthers to perform “formation,” a song that was called the anthem of the black lives matter movement, it was clear “fashion statement” was going to take on a whole new meaning in 2016. no longer was it enough to simply tell others what you believed you had to show them, too. and the simplest, most powerful, most public way to do that was via what you wore. in a world of white noise and factional cacophony, a world where the first line of communication is visual, clothes are our shared language. whether you like what you see or not, you can read it. once upon a time “political dress” meant the dress of the political class. in 2016, it became a term donned by everyone — and damned by some. practically every month. in april, laurence rossignol, the french minister for women’s rights, fired the first salvo at what became the fashion lightning rod of the summer: the burkini. ms. rossignol scolded designers from marks spencer to dolce gabbana for catering to the muslim market by offering swimsuits and hijabs, accusing them of “promoting women’s bodies being locked up” to bolster their own coffers. soon pierre bergé, the outspoken of yves saint laurent, stepped into the fray. a particular item of dress had become a symbol of the debate over the balance between enlightenment values and civil society, and whether freedom includes the freedom to wear whatever you want. by august, the issue had gone global and viral. islamic women increasingly demanded they be accorded equal respect and treatment when it came to their clothing choices. the fencer ibtihaj muhammad became the first olympic athlete to compete for the united states while wearing a hijab. then anniesa hasibuan, an indonesian, became the first designer to pair a hijab with every look of her show during new york fashion week. condé nast international started vogue arabia. [see more year in style articles] it was but one sartorial story in a summer where wardrobes spoke as loudly as any words (and in turn spurred a lot of them). in may, in a nod to the opening of cuba, karl lagerfeld took the chanel cruise show to havana, becoming the first brand to stage a show in the country. the decision was not without controversy, since the average cuban wage at the time was $25 a month and the brand had, it admitted, “zero business” there — but the trip did serve in focusing the attention of the 1 percent, at least for a moment, on the island nation. in june, british designers began to publicly declare their “brexit” stance using the london men’s wear shows as their soapbox, with one designer, daniel w. fletcher, not only staging a outside the official show site but also dressing his protesters in “stay” hoodies and and the sibling designers sid bryan and cozette mccreery likewise donning slogan tees to take their bows. in july, w. n. b. a. teams led by the minnesota lynx and then the new york liberty started swapping their usual uniform for black emblazoned with the slogans #blacklivesmatter and #dallas5, among others despite individual and team fines from the league, the players persisted. around the same time, a photo became a national symbol when a young woman in a flowing sundress faced down police in baton rouge, la. at a protest over the killing of alton sterling, and the visceral visual contrast between the louisiana state police troopers’ black riot gear and her graceful, nonrevolutionary summer frock crystallized the fault lines developing around the country. that month also saw the election of theresa may, who became britain’s second female prime minister, causing a torrent of stories about her fanciful footwear, which she proudly proclaimed was a tactical “icebreaker” in meetings. and it was when hillary clinton formally accepted the democratic party’s nomination for president. standing onstage at the democratic national convention in philadelphia, mrs. clinton made history as the first woman to be a major party nominee for president, but in case you missed the import, her white ralph lauren pantsuit underscored the message. it squared the circle first drawn by suffragists in 1913 when they adopted white as one of their signature colors, and later traced by gloria steinem and betty friedan in 1978 when they wore white to the women’s rights march on washington, and then by geraldine ferraro with her white suit accepting the democratic nomination in 1984. and so it went. by september, there was no holding back: the look of autumn was the look of the american election. new york fashion week kicked off the day with a benefit for mrs. clinton featuring a runway show for which anna wintour, editor of american vogue, was a host ms. wintour wore a dress designed by jason wu featuring a mosaic of the different states in varying shades of blue. opening ceremony recast its presentation as a “pageant of the people” featuring not only models in shirtdresses and bomber jackets but also natasha lyonne and whoopi goldberg talking electoral issues — both accessorized by rock the vote volunteers. in paris, stella mccartney splashed female empowerment and antifur slogans such as “thanks girls” and “no leather” over her lace and cotton loungewear. in october, the “pantsuit power” flash mob, 170 dancers strong, took to the streets in new york’s union square wearing, natch, a rainbow of pantsuits to demonstrate their support of mrs. clinton the resulting video has been seen over 91, 000 times. and on nov. 8 those women who intended to vote for the first female president adopted both sartorial stratagems, and went to the polls in pantsuits or white or both to cast their votes. you didn’t even need to see the boxes they checked on their ballots to know where they were coming from. though their candidate lost, the point remained, embedded in the fabric of social media and, now, recent history. the year may be over. but the change in our wardrobes — the change in how we think about the fabric of our lives — is just beginning.
• 　　三是加强前沿科技创新。中俄科技具有互补优势。双方将实施好科技创新年逾千个合作项目，深化科技成果转化合作，促进人才双向交流，鼓励高科技、互联网等领域企业创业投资，为两国务实合作提供科技支撑。
• 美国一贯挂在嘴边的所谓“基于规则的国际秩序”，不过是美国同少数国家制定的“家法帮规”，不过是维护美国全球主导地位的霸权工具。